Biography
Koman - rebellious, unpredictable and unconventional. An intriguing artist with many faces. She sings, writes lyrics, arranges and composes, enchanting with both her voice and storytelling.
In her work she draws from many branches of art, and her music is inseparably connected with the visual sphere, which is why she creates and direct music videos - hers and of other artists. The free combination and mixing of different fields makes every project of hers an eclectic and unique piece of art.
She made some noise on the music market when in 2014 she released her debut, well-received album "Pourquoi pas" (Warner Music Poland). Melancholy sounds and perverse, original lyrics in Polish, English and French have won the hearts of the audience and critics. The album was nominated for Fryderyk award in the category of Phonographic Debut of the Year.
In 2016, Koman released the sophomore album "Na supełek" (Warner Music Poland). It is an extremely energetic, diverse and entirely Polish-language album. Her authentic, controversial lyrics that appear on the album, numerous experiments with vocals and music have become the artist's hallmark. In 2018, the artist released the third album "Mirror" (Warner Music Poland), where she presented a different, lyrical face rubbing with sound for film music.
Another project by the artist, "Monster" (Digital Independent) is the fruit of her work with electronic and club music oriented producers. New songs are mainly meant to move the bodies. Koman leans there towards her greatest, (apart from music) passion - dance. As on previous albums, we'll find here catchy choruses, interesting lyrics and bold clips, but this time in a completely different version.
Koman is a chameleon-woman, an absolute denial of monotony; changes in her image and musical diversity are the result of constant search and experimentation. In her music, however, emotions are the most significant parts. Fans appreciate her for the honesty and clarity in music and behavior, ironic sense of humor, extraordinary courage and distance - to the world and herself. Her songs are both a confession and a story. She breaks convention, plays with sound and text, breaks down stereotypes and always speaks her mind.
In her work she draws from many branches of art, and her music is inseparably connected with the visual sphere, which is why she creates and direct music videos - hers and of other artists. The free combination and mixing of different fields makes every project of hers an eclectic and unique piece of art.
She made some noise on the music market when in 2014 she released her debut, well-received album "Pourquoi pas" (Warner Music Poland). Melancholy sounds and perverse, original lyrics in Polish, English and French have won the hearts of the audience and critics. The album was nominated for Fryderyk award in the category of Phonographic Debut of the Year.
In 2016, Koman released the sophomore album "Na supełek" (Warner Music Poland). It is an extremely energetic, diverse and entirely Polish-language album. Her authentic, controversial lyrics that appear on the album, numerous experiments with vocals and music have become the artist's hallmark. In 2018, the artist released the third album "Mirror" (Warner Music Poland), where she presented a different, lyrical face rubbing with sound for film music.
Another project by the artist, "Monster" (Digital Independent) is the fruit of her work with electronic and club music oriented producers. New songs are mainly meant to move the bodies. Koman leans there towards her greatest, (apart from music) passion - dance. As on previous albums, we'll find here catchy choruses, interesting lyrics and bold clips, but this time in a completely different version.
Koman is a chameleon-woman, an absolute denial of monotony; changes in her image and musical diversity are the result of constant search and experimentation. In her music, however, emotions are the most significant parts. Fans appreciate her for the honesty and clarity in music and behavior, ironic sense of humor, extraordinary courage and distance - to the world and herself. Her songs are both a confession and a story. She breaks convention, plays with sound and text, breaks down stereotypes and always speaks her mind.